Black and white abstract arts
Abstract painting is aimed at painting works with concrete content.
Abstract painting emphasizes the composition of pure painting language, such as point,Great Big Canvas line, surface, color, brush stroke and texture of the picture, and has metaphor and connotation that can only be expressed by meaning.
It is the spiritual dialogue and emotional communication between the author and the viewer,Big Canvas Art as well as the embodiment of the author's wisdom.
The production and aesthetic process of abstract works are serious.
What looks like a "farce" is a process of extreme composition and very traditional technical rules.
It pays attention to the ingenious and novel conception, strives for the visual balance of symbolized form and color in the picture, pays attention to the contrast, echo and internal integrity of the shape, emphasizes the rhythm and rhythm of the picture, and explores the rich connotation of form,Large Canvas Art color, line and texture.
Abstract painting and production, in addition to oil paint, paint, paint and other pigments.
Physical collages are often attached for a sense of touch.
Kandinsky, one of the pioneers of abstract art, was the founder of the emotion-abstraction school.
He advocated color, line and shape as the main means of expressing thoughts and evoking emotions, and denied the objective image and concrete content of painting.
But in works such as his little pleasures, colors and lines actually express and obey a high-energy, apocalyptic image.
The master of the "abstract" and "unconscious" school, miro, has not completely abandoned the image associated with the object, such as the figure in "man throws a stone", which is "a twisted creature with one eye and one foot".
Mondrian, the great advocate of geometrical abstract painting, restricted the painting language to the most basic lines, right angles, three primary colors, as well as black, white and grey, completely abandoned the form and content of objective objects, thus presenting a pure abstraction.
The means of abstract painting are unlimited, and artists can make full use of and innovate.
Pollock discarded the traditional painting tools, the paint drop, sprinkling, even to the spread of the canvas on the ground, the introduction of a revolutionary painting technique - "drip flow".
Matisse's "snail" USES colored paper collages directly.
Mr Loesenberg is even more avaricious in his tradition of using tact, taunting and sarcasm to assemble "paintings" of roulette, cloth sacks and electric light installations